That means it’s time to begin adding the details. Once you’ve add the shadows, highlights and color, your portrait should be starting to take shape, but it still will look a little out of focus. Time to sweat the details Step 4: Add the details.
To do this, before you start a new color, tap the Plus (+) icon and add a Sketch Layer. This makes it easier to correct mistakes later on, or to adjust the color balance by increasing or decreasing the opacity of the layers. I recommend using a different layer for each color you add.
Keep referring back to the photo, and look closely at how the color of the skin changes in different places. Definitely experiment to see what works best.Īlso, remember to work from observation. Tap on the Color button again and use the Color Wheel to make adjustments as necessary. I find that selecting colors this way is useful to get the general hue, but they are often a bit darker than I want. You will see a Color Picker that selects the color of the image from the place where your finger is. Now, without removing your finger from the screen, drag it across to the photo. Make sure your Image Layer is visible, and then tap and hold the Color button. Photoshop Sketch can help you to pick the right colors. Fluorescent strips and LED lights, for example, often make skin tones look less pink or brown and more blue or green. Around the eyes, it often appears more pale (or more gray). But in reality, color is far more subtle and complex than that.įor example, a person’s skin tone varies over the different parts of their face and body. We often assume that the sky is blue and that leaves are green. This can be tricky, because our preconceptions often make us get color wrong. Once you are happy with your shadows and highlights, it’s time to add some color. You can also use the Eraser tool with a larger brush size and lower Flow to add highlights. Where you need to create hard edges, you can use the Eraser tool (at the bottom of the tool palette), set to 100 percent Flow with a small brush size, to strip away some of the shadow. Using this layering technique, you can gradually build up soft and subtle tonal variations. The marks will initially look too faint, but you can make them darker by repeatedly drawing on top of the same layer. Using light strokes, gently begin sketching, starting with the darkest areas.